Custom Shapes
and Layer Styles
If you are a regular user of custom shapes in Photoshop, here are a few
tips on using them when combined with layer styles. The benefits of using
custom shapes for smaller work are the ability to scale losslessly and
to experiment with colour and effects by way of saved layer styles.
Getting Artwork from Illustrator into Photoshop
To paste a path from Illustrator make sure the AICB option (Preserve
Paths) is switched on in Illustrator (File Handling and Clipboard Preferences).
This will allow you the option of pasting the path as a shape layer.
With the Path selected, go to edit>define custom shape. It is then
added to your library
Use the great Adobe Exchange Studio http://share.studio.adobe.com/ to
find great new shapes.
When adding some depth to a custom shape, consider experimenting with
building up layer styles one by one. Often taking an existing layer
style from Styles palette and adapting certain settings, you can get
a feel of how the layer styles interact with each other.
To work with the Pathfinder tool in custom shapes, make sure the tool
selected is the custom shape tool. You will not be able to paste the
path otherwise.Once pasted it works in the same fashion as it does
in Illustrator with the ability to save the combined/subtracted etc
shape as a new custom shape. You can use the direct selection tool
to move a point or the whole path if you need to fine tune any effect.
Using a layer mask with a custom shape is a powerful way or isolating
an effect or area. However the layer style automatically will follow
the new outlines of the custom shape if a mask is applied.In the Blending
palette, clicking the option 'Layer Mask hides effects" ensures
you can do masking without influencing the layer effect.
Simply click on the word effects in the layer palette and drag it on
top of any layer you wish to apply the current style to. If you have
multiple effects applied to a shape but want to apply just a single
style such as "Inner Glow" to another shape, simple click
on that effect in the layer palette and drag in the same fashion.
For multiple layers, it is best to link the layers, control click to "copy
layer style" and then choose "paste layer style to linked"
Keeping a good library of particular effects is very helpful in replicating
an effect from a previous project into a new piece. For instance I
keep a library of skin tones and light effects to help speed the process
of making artwork in a particular style.The sheer range of options
in the layer styles palette means most effects can be simulated including
water, fur, grass, glass and metal. A simple switch between layer styles
and opacity settings can render an ambulance into a pimped up van.
While I find custom shapes and layer styles to be a great way to work,
particularly in Icon and Interface design, there are some niggles.
Some of these might have been solved in CS 2 but what I have gathered,
they're still outstanding issues.
- No way to scale an effect automatically with
the scaling of the custom shape. You manually enter a percentage
in Layer>Layer Style>Scale
Effects.
- No way to set a default style for certain effects. Opening up the
stroke style will always present you with a bright red 3px stroke.
- Buggy handling of scaling multiple shapes. Sometimes if the path
is selected on one shape it will scale only that and no other object.
- The ability to stack the layer effects in any order. At the moment
you have to duplicate the shape to stack effects in a certain way
- More control with the gradient tool for small work. Very difficult
to get a gradient to align with an angled object.
- Gradient Mesh tool for Photoshop as well.
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